Creature of love (II)(detail) (2019) (detail)

Creature of love (II)(detail)

Creature of love (II)(detail)

Creature of love (III) (detail) (2019)

Creature of love (III) (detail) (2019)

Creature of love (III) (detail) (2019)

Installation: Julie Béna, Susie Green, Deniz Ünal

'Slow Burn' (2017) acrylic paint on cotton bondage rope, knots, steel fixings. Commissioned by Grand Union, Birmingham as part of 'Pleasure is a Weapon' solo exhibition at Grand Union (2017).

'Slow Burn' (2017) acrylic paint on cotton bondage rope, knots, steel fixings. (Commissioned by Grand Union, Birmingham). On monitor: Julie Béna 'Who wants to be my horse?' (2019).

'Slow Burn' (2017) (detail) with Zoe Williams 'Orgy Urn' (2011-2012)

'Slow Burn' (detail) (2017) acrylic paint on cotton bondage rope, knots, steel fixings.

'Slow Burn' (detail) (2017) acrylic paint on cotton bondage rope, knots, steel fixings. With work by Zoe Williams.

'Slow Burn' (detail) (2017) acrylic paint on cotton bondage rope, knots, steel fixings.

Something Soft (2019) Group exhibition, Kunstraum, London (UK)

13 April – 25 May 2019

Julie Béna, Susie Green, Zoe Williams, and Deniz Ünal

‘Touching on ideas of seduction, sensuality, and transgression, ‘Something soft’ delves into the shifting grounds between sex and intimacy. The exhibition intersects the works of Julie Béna, Susie Green, Zoe Williams, and Deniz Ünal, to consider how objects facilitate intimacy and the importance of trust and solidarity. While coming from female perspectives ‘Something soft’ subverts the conflation of softness with femininity– reclaiming tenderness as something which exists beyond gendered norms.

The artists’ spatial interventions, sound works, performances, video and sculpture, flirt with sexual intimacy, power exchange, consensual pain, bodily smells or liquids, bondage, and ritual. But rather than sensationalising sexual pleasure, ‘Something soft’ foregrounds moments of interaction – touch, spaces between communication, the things which go unsaid – to which the sex act itself can be seen as a by-product’ – Kunstraum press release, 2019

 

Creature of Love (II), (III) (2019) acrylic paint on cut, acid-free tissue paper

Slow Burn (2017) acrylic paint on cotton bondage rope, knots, steel fixings

 

Photos: Tim Bowditch