Your kiss flares, a match struck in the night (2018) acrylic on tissue paper, 3m x 9m; Kissing Seat (2017) stained ash wood seat, commissioned by Grand Union

Knees to the screen (2017) acrylic and pencil on paper, 38 x 28.5cm

The cut out ass fitted fine (I)(2018) acrylic and pencil on paper, 38 x 28.5cm

The sex shop ceiling in Cannes (2017) acrylic and pencil on paper, 38 x 28.5cm

Watching, pissing, arousing for both (I) (2017) acrylic and pencil on paper, 38 x 28.5cm

Up by the church in Lisbon (I) (2017) acrylic and pencil on paper, 38 x 28.5cm

Bad Wifi (2017) acrylic and pencil on paper, 38 x 28.5cm

The space inside your mouth is entirely yours, except when it’s mine (I) (2017) acrylic and pencil on paper, 38 x 28.5cm

Up by the church in Lisbon (II) (2017) acrylic and pencil on paper, 38 x 28.5cm

The cut out ass fitted fine (II)(2018) acrylic and pencil on paper, 38 x 28.5cm

Your hair, the sky (2017) acrylic and pencil on paper, 38 x 28.5cm

Watching. Pissing. Arousing. For both (II) acrylic and pencil on paper, 38 x 28.5cm

The space inside your mouth is entirely yours, except when it’s mine (II) (2017) acrylic and pencil on paper, 38 x 28.5cm

Falling out of us (2017) acrylic and pencil on paper, 38 x 28.5cm

Watching. Pissing. Arousing. For both (I) (2017) acrylic and pencil on paper, 38 x 28.5cm

Selected works, acrylic and pencil on paper, 38 x 28.5 cm (unframed)

INTERIOR REPORT

Solo exhibition at Workplace, Gateshead (2018)

Painted wall panels, work on paper, 2-speaker looped soundtrack featuring recordings by The Brilliant State (collaboration with Rory Pilgrim), Splash Addict (collaboration with Simon Bayliss) and Charm Offensive (collaboration with Dawn Bothwell). Soundtrack produced by Simon Bayliss. Exhibition featured work commissioned by Grand Union, Birmingham.

Listen to soundtrack HERE

Photos: Workplace Gallery