Your kiss flares, a match struck in the night (2018) acrylic on tissue paper, 3m x 9m; Kissing Seat (2017) stained ash wood seat, commissioned by Grand Union
Selected works, acrylic and pencil on paper, 38 x 28.5 cm (unframed)
The space inside your mouth is entirely yours, except when it’s mine (I) (2017) acrylic and pencil on paper, 38 x 28.5cm
Up by the church in Lisbon (II) (2017) acrylic and pencil on paper, 38 x 28.5cm
The cut out ass fitted fine (I)(2018) acrylic and pencil on paper, 38 x 28.5cm
Your kiss flares, a match struck in the night (2018) acrylic on tissue paper, 3m x 9m; Kissing Seat (2017) stained ash wood seat, commissioned by Grand Union
Your kiss flares, a match struck in the night (2018) acrylic on tissue paper, 3m x 9m; Kissing Seat (2017) stained ash wood seat, commissioned by Grand Union
Watching, pissing, arousing for both (I) (2017) acrylic and pencil on paper, 38 x 28.5cm
The sex shop ceiling in Cannes (2017) acrylic and pencil on paper, 38 x 28.5cm
Your hair, the sky (2017) acrylic and pencil on paper, 38 x 28.5cm
Watching. Pissing. Arousing. For both (II) acrylic and pencil on paper, 38 x 28.5cm
The space inside your mouth is entirely yours, except when it’s mine (II) (2017) acrylic and pencil on paper, 38 x 28.5cm
Falling out of us (2017) acrylic and pencil on paper, 38 x 28.5cm
Bad Wifi (2017) acrylic and pencil on paper, 38 x 28.5cm
Knees to the screen (2017) acrylic and pencil on paper, 38 x 28.5cm
Solo exhibition at Workplace, Gateshead (2018)
Acrylic paint on tissue paper, selected works on paper, 2-speaker looped soundtrack featuring recordings by The Brilliant State (collaboration with Rory Pilgrim), Splash Addict (collaboration with Simon Bayliss) and Charm Offensive (collaboration with Dawn Bothwell). Soundtrack produced by Simon Bayliss. Exhibition featured work commissioned by Grand Union, Birmingham.
Listen to soundtrack HERE
Photos: Workplace Gallery