Susie Green (b.1979) works predominantly in painting, performance and sculpture.

Recent solo and two-person exhibitions include Jerwood Solo Presentations, Jerwood Space, London (2018); If they Be Two (with Kim Coleman), Five Years, London (2018); Interior Report, Workplace, Gateshead (2018) and Pleasure is a Weapon, Grand Union, Birmingham (2017).

Selected group exhibitions include Breaking into Heaven, Conduit Club, London (2018); Bedswerver, Flat:Two, London (2018); Exhibition of a Dream, Gulbenkian, Paris (2017); Idea Home, Middlesbrough Institute of Modern Art (MIMA) (2017); On the Side, Workplace, Gateshead (2016); Visible Hands, Ilmin Museum, Seoul (2009) and New Contemporaries, Cornerhouse Manchester and A Foundation, London (2009).

Selected performances and screenings include Vestoj for La Manutention (with Kim Coleman), Palais de Tokyo, Paris (2018); Groundwork with Martin Creed, (with Simon Bayliss), Groundwork, Falmouth (2018); ROMANTI-CRASH, Jupiter Artland, Edinburgh (2018); Dwarling, My Darling (with Rory Pilgrim) Oude Kerk, Amsterdam (2016); Fluid Medium, Spike Island, Bristol (2016) and All Out of Love (with Simon Bayliss), Tate St Ives, Cornwall (2016).



Something soft, a group exhibition at Kunstraum, London (Julie Béna, Susie Green, Denzi Ünal & Zoe Williams).

Splash Addict single release with Insecure, London.



Essay by Philomena Epps. Commissioned for Susie Green publication in association with Pleasure is a Weapon, solo exhibition at Grand Union, Birmingham. Also features Interior Report, solo exhibition at Workplace, Gateshead

Essay by Laura Guy, commissioned for If They Be Two, collaboration with Kim Coleman. 2-person exhibition at Five Years, London

Interview with George Vasey, commissioned by Monomatic. Also features as part of short film commissioned by CVAN / this is tomorrow

Essay by Susannah Thompson in response to I like the Silver, I like the Gold, performance and exhibition at The Northern Charter, Newcastle


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