Susie Green (b.1979) works predominantly in painting, performance and sculpture.

Recent solo and two-person exhibitions include Jerwood Solo Presentations, Jerwood Space, London (2018); If they Be Two (with Kim Coleman), Five Years, London (2018); Interior Report, Workplace, Gateshead (2018) and Pleasure is a Weapon, Grand Union, Birmingham (2017).

Selected group exhibitions include Breaking into Heaven, Conduit Club, London (2018); Bedswerver, Flat:Two, London (2018); Exhibition of a Dream, Gulbenkian, Paris (2017); Idea Home, Middlesbrough Institute of Modern Art (MIMA) (2017); On the Side, Workplace, Gateshead (2016); Visible Hands, Ilmin Museum, Seoul (2009) and New Contemporaries, Cornerhouse Manchester and A Foundation, London (2009).

Selected performances and screenings include Vestoj for La Manutention (with Kim Coleman), Palais de Tokyo, Paris (2018); Groundwork with Martin Creed, (with Simon Bayliss), Groundwork, Falmouth (2018); ROMANTI-CRASH, Jupiter Artland, Edinburgh (2018); Dwarling, My Darling (with Rory Pilgrim) Oude Kerk, Amsterdam (2016); Fluid Medium, Spike Island, Bristol (2016) and All Out of Love (with Simon Bayliss), Tate St Ives, Cornwall (2016).

Essay by Philomena Epps. Commissioned for Susie Green publication in association with Pleasure is a Weapon, solo exhibition at Grand Union, Birmingham. Also features Interior Report, solo exhibition at Workplace, Gateshead

Essay by Laura Guy, commissioned for If They Be Two, collaboration with Kim Coleman. 2-person exhibition at Five Years, London

Interview with George Vasey, commissioned by Monomatic. Also features as part of short film commissioned by CVAN / this is tomorrow

Essay by Susannah Thompson in response to I like the Silver, I like the Gold, performance and exhibition at The Northern Charter, Newcastle

 

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